During 20 innovated creative materials associated with paper materials, Le Hien Minh visual artist achieved many artistic achievements both at home and abroad.1.000 works "dictionaries". With you, every piece As a serious dialogue with the Vietnamese traditional reinforcement.Le Hien Minh was born in 1979, the daughter of female painter Nguyen Thi Hien (daughter of Van Kim Lan) and Han - Nom Le Duong Hao
. In Vietnam, rarely artists are attached and creative with paper with paper like Le Hien Minh. For her, the paper is the result that the search itself, is a special thing where "west" helps yourself to realize who you are. Secretaries and women of Le Hien Minh's visualist is a grandfather of Van Kim Lan
At 6/2021, the exhibition "in the middle / middle / burden on" ending and leaving in the public many questions about the Vietnamese traditional reinforcement as well as feminin in the works of the works Le Hien Minh.In this exhibition, she brought a sculpture of the paper as a combination, upgraded from two works that were displayed in Japan and Germany.Ba classic half statue, half Modern loop samples, endless samples, similar samples are placed on a washing machine, dishwasher and bed - indicating the author's profound resistance to the so-called housework - capital associated with the picture Photo of women. This declaration of war is given with 5 questions: Who is women? / Woman? / Where is women? / Why is women? / When is women? Viewers are awarded a piece of paper to write answers. The question, but it is essentially a dialogue between the artist with the public, and the public with the work. Before that, in 2016 also with these questions, the author received a response from people See: "Women's greatest mission is to give birth to a son". The above provocative words faced the reaction from other viewers. Without discussing the correctness of the argument, these questions have become a dialogue space, creating "living" for artwork.ba This statue is connected with a rope like a cord, all referred to those Requiring rotation on the responsibility of the woman: Housekeeper, housework, childbirth. In ancient times there was "At the extra gang, exporting the price of Tong Phu, Phu Tu Tử", the 21st century was the "man building houses and women to build a kettle"
The thousands of life lowered her life, deep eating into Vietnamese people. The woman who succeeds in society, go home does not round "celestial" is not valued. Le Hien Minh philosophy: "For me, art belongs to culture. Culture is a creative achievement of society. It is the process when people seek to react with changes and challenges arise. It is not invariant, which will change. Culture shown in my work through material, object, symbol ... Create art ". A overlap but always uniform of Le Hien Minh in the way of choosing paper materials and showing female work permission. I love traditionally, but don't accept backward traditional notions. Art is so, the complexity is extremely simple. It is extremely simple. In the past 3 icon works of Le Hien Minh in the exhibition "in the middle / middle / down / road on". 20 years ago, visual arts are considered a new type of fun in Vietnam. However, a traditional person like a family who tried to pursue the new, strange, new, strange, strange, strange and strange. Sculpture - Around on traditional paper and paper paper. And also from the day of embarking on creating those works, Le Hien Minh thought immediately to an exhibition on his father's father's father. It was an exhibition in 2012 to celebrate the 10th anniversary of the loss of the house Han - Nom Le Duong Hao. She has designed 1,000 objects made of copies and shapes of dictionaries. All are empty and do not have words. This installation is named "Dictionary book". After this, Le Hien Minh decides to make an auxiliary publication for "dictionaries", which is a collection of remaining objects of the father and recorded Reproducing your own memories of my father, with the name "remaining / discrete". Very much wonder, why is it a paper that is not another material? In fact, this is a difficult question with artists. Only in the mind of a daughter away from home was unable to get alongside the last moment of life, Le Hien Minh always carried an invisible obsession unable to explain.cha spent his life for books and grandfather - Kim Lan writer, also marks on text pages. So the paper came to her, she was a serving material that was asked to be personal, but it was a great relationship to touch the past, touching the tradition. Le Hien Minh was considered a statement instead of his father's frustration about greating our partners, we didn't know how to read the Han Language - Nôm. "We are completely cut off with the ancestral culture. This is a related to read and write culture of young people today. V . Dịch vụ:
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