Durable anchor in my emotions when reading the work of Cao Duy Son writer. 'Non-high forest' is the latest short story of writer born in the vision of the stones to bring two bloody bloods - Tay made me obsessed, mesmerizing, luggage by beautiful beautiful vengerity, flying together Tay 9/7 Cultural Permatonial Message: 00/7: 19Thu Nam Family contact with England, it is easy to see quietness, deep, drastic thinking. He strangers noisy, bustling; Afraid of the bucket, Chen ..
. Cao Duy Son comes with literature like the sky, fate. First-handed short stories "at the foot of the mountain," is the beginning of him coming to literature. Although she knows the vocational profession like "lucky luck" hard, suffering, but he or she sent a passion for the word
For him, literature like triumphes, is a common lovers who are not "persecuted". Along literature, he has a sublimation and creativity. Literature is a demand for self-like air, drinking water, love ... "abyss," is a 6th short story (not to mention 6 novels), including 11 short stories written in 2013 until now. Tay culture wings for flying components. Language that penetrates the traditional thinking of Tay people. Attraction from short stories is the way the writer shook the culture of mountainous people, exploiting the depths of the abyss in the tragedy. He focused on exploiting creative and diligent trends, innovation in the content, short story art and effort to innovate
Văn Cao Duy Son. Cultural seams, choose the most quintessential features to recreate a unique artistic world. Even if the translation is, the work is still in control, "coverage" of high space. Even when the countryside into the Central Highlands settled before and after 1975, it was still "strictly dominated" of the homeland context. He wrote a man who migrated to the Central Highlands to learn the cultural substance after many years from the remote to change. The land names, Thao Thao village names, once in his work with strapless paintings, categories, restoration, Cao Binh, Thin Tuc ... especially the sorrowful place. The place sends childhood memories, head vibes; is a common place, sticking. Because of that, she sorrow became a sporty piece that appeared to appear a large frequency. Stories around the sorrowful Lung: "Currently the small town with houses of rocks between surrounding mountains has a native name" (non-high forest) ... with a consistent expression, true, human Animals in "non-high forest" are mountainous people, casual, rustic, grace, efforts to rise, even though life is not a little sad, adversed. They embody the cultural source circuit that braided as a durable sediment layer. Write about them in the position of "the same boat", each of his literature as with the same sobbing, tormented before each round, unhappy. The end of the "post-" story in its own way to fold the book page where the story still haunts and opens a lot of reflections to the reader. The characters in the story in any industry and social status are always shown Beautiful high qualities. In the story of "enchanting", Mr. Tai was a worker with a magic-kicked hand "now announcing the mind of kicking dogs ... to keep up with customers. A hammer, a tingled iron and chisel all day under the floor ". Although the life of the substance contains a lot of sadness (wife died, the badges), but he got overcasted with kindness, tolerance, loving his wife and children. He lung into the Central Highlands, which is still in true mountainous people, loving labor "Earn 3 hectares of land, the hammer carries since the end of the worn, only a short piece of 3 fingers, the knife Sen tears like a sickle "(sunny wind) ... in the composition of Cao Duy Son, the woman is always a highlight, center, embodiment for beauty. The writer spent a favor to describe the beauty of the mountainous daughter: "My eyes glitter, blushing cheeks ... Morning shape is now papillaing. My eyes, my mouth, fresh lips and hairy hair in the wind ... "; "She is beautiful, gentle beauty ... Her face suddenly sees sunshine ... stars have white water ... a pure beauty overcasts all people in the arid rocky area. She is a troubling flower, which is a white virgin flower, the queen of the flowers between the harsh mountain mountains "... the cover of the" non-high forest "book of Cao Duy Son writer. Note Description depth inside. The writer saw in it was a human qualitative. In the story "Life birds", Lan is a beautiful character "I often meet on the bus. Through short communication, the character "I" recognized the potential beauty and changed the attitude from accidental, afraid, to care, finding "returning the bag" Trusted LAN sent. Touching the brocade, silver ring made the character "I" touched. Emotional, sympathy from the mountainous area of the city to earn a living, bump with rice with coat, raise the sick brother and the beauty of the soul of the mountainous people. Lan "must be Na Na Doan Trang, knowing to eat, knowing how to beautify people ... is the hope of forest mountains". But the question . Dịch vụ:
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