During the history of history, Cham people have created, built unique folk culture. One of those unique features is the divine dance to show the flexibility, ingenuity, flexibility of artisans, while reflecting the rich spiritual life of Champa. Champa Da Nang.View on My Son Ancient Tower Wall (Quang Nam) We feel the beauty surprised by the pruning, quiet and mystical mystery of women, gods .
.. Carved on tiles or stones. Between the four supports of My Son basin, the sacred Temple temples described him suggesting the ancient trenches
The turtles are tinged with time, mossy tilted herself in the ball in the middle of the mysterious moon night, Ms. President with mysterious dances like being performing on the ancient tower wall. In Champa dance, most dances are carrying Religious nuances, beliefs (gods) and royal dance (ritual). Besides the dances of Siva, UMA goddess, APSARA goddess ... are familiar dances, expressed by individuals or collectives. Folk folk dance with four main dances are fan dancing, dancing water and dancing towels, dancing fire. Later these dances were enhanced and formed dances like Patra, Chaligia. In addition, the Champions have dance dances and festivals
Fan dance is a common dance that any Champa woman knows. According to the functional industry, the Cham has all 80 dances and corresponds to each dance of their 80s. For Cham, dance is very important. Dance creates sacred air, playful, vivid for the festival. From the festival, they created folk dances to serve themselves. Therefore, folk dance reflects the process of life and labor. Careers of dances are the interference between the current world and supernatural world, between humans and gods. The person sends in the dances of wishes about the rain of the wind, Binh An village, health to live and serve the current world and sacrifice spirits. It can be mentioned with a number of outstanding dances such as fan dancing (also known as Tamia Tadik dance), dancing towels, dancing water, dancing fire, peacock dancing ... if the fire dance is dancing dedicated to men , Strong, resilient, medium-sized men, dancing towels symbolize the heart in white, gentle gentle of young women, but not only for women, but the South also participated. For women who are soft movements, the opposite of men's movements is strong, solid. Champa fan with drums and trumpets Saranai.With this team dance, this dance is said to have sources Original from life of daily life, because of that charming women often put water in the water, or the rice basketball team from the field of fields. The Champa has created a dance of the water team (Ndoa Buk), which has a clever combination and talented with a peacock dance, making the figure of the dance a lot and says like saying now Now the dance language is also more. Particularly peacock dance symbol of joy, luck. The public dance is indispensable for the fans. The dances holding two fans such as wings, frayed and flexible. When joining the dance, the heads of the tops of a lot of floors, flexible body, their hands rose, around the stomach wrapped in many layers, Ta fayed twisted, the legs shrugged, the right leg was slightly grown, the left leg was scooped up later. When dancing collectively, their right-handed female dances on their hips, the left hand raised, binding into a posture to show a living beauty. In the personal dance, the daughter always shocked a thin towel, two hands around the top of the head pulled the chiffon strip, two legs sagged to the ground, the body weight rushed into his nose. Yellow or pink is the main costume of Cham women. From aesthetic perspective, Champa dances show the beauty of the female body. Champa dance is attractive when there are the computers of the traditional musical instruments of the Cham people like Ghin Blank, Parannam, Saranai trumpets. In the mysterious burning fire, the "Cham women" flexible every movement "belly, thighs ..." in drums, the trumpet sounds into the audience. . Dịch vụ:
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