Bringing architectural ancient Vietnamese pagoda in the 17th century 17-18, Spirituality Bao Hai Linh also owns a systematic statue system that experts say rarely the temple in our country has. Buddhist art 17-18 Create Buddha statue is a Buddhist art. And that art over the periods also has a clear difference, from the material to the way creation of the generals of the statue. According to PGS-TS Trang Thanh Hien- Illustration of the art of creating a Buddha in Vietnamese temples (Hanoi Publishing House) analyzes: "Ly Ly, statues are often carved with large sizes. Tran times, copper materials are popular
. This stage Buddhism is considered a national teacher, so the temple, creating a statue is usually raised by the imperial court to Hung Cong. Therefore, the use material is also sustainable, polished, meticulous material. Since Despairs, with the change of the form of Vietnamese temple architecture, the statue of stone statue continues but wood sculpture begins to grow stronger
Wood carving techniques and paint the Buddha statue also reached the peak in the 17th century - 18th century .Choose inheriting and filtering achievements in the art of creating Buddha in the highest peak period of 17th century 18, artisans casting reputation statues have created a massive Buddha system with 110 Pho at Bao Hai Linh to the top of Ba De Pass, TP. Ha Long, Quang Ninh, belongs to the Sun World Halong Complex complex. The statues are crafted on two main materials that are jackfruit and copper wood, including 66 extremely elaborate artifacts, according to the most modern casting co-molded technology today. "Before before Creating shaping, we have refer to the samples of the worship in many old Vietnamese temples in the Northern North such as Ba Ho Stone Pagoda, Ly Quoc Su Pagoda, Hoa Ma Pagoda, Chan Tien Pagoda, King Pagoda, Cane Pagoda, Tay Pagoda Phuong (Hanoi) and Vinh Nghiem Pagoda (Bac Giang). Typical and impressive in the Buddha statue system at Bao Hai Linh Thong is 2 Pho Pho Dharma and Tam Truc Lam samples in Vinh Nghiem (Bac Giang), the statue of the samples from Huong Pagoda, Cross Bat la Han sampling from Tay Phuong Pagoda, Bat Bo Diamond sampling at Cane Pagoda ... ", Artisan Nguyen Ba Ranh shares. However, the author does not copy the statue patterns at ancient temples In the above, there are inheritance, planning patterns, architecture on each model
"In ancient times, the statue patterns in many Vietnamese ancient temples were created by the people. Sometimes they can shape on wooden, stone. However, these materials exist with a limited point that the section is not large enough to manipulate the statue. At that time, my father would adjust himself, making the statue sometimes harmonious. There is a fact that a lot of ancient statues in the temples are not balanced. The hand is too long that legs are very short. Therefore, we will balance the ratio to create a better artistic correction, "Nghiep Nguyen Ba Right adds. The unique unique Statue system is rare in Vietnam. Dong in Hai Linh Thong is a strike, when artisans adapt the statues from wood materials to an ancient red copper but still have to ensure the original presence of the template as well as the Pattern, the Core each statue. According to artist Pham Ba Racing, the new artistic collaboration also helps to overcome the existence of the statue. Previously, wood artists had to choose the wood, leading to the proportion of parts on unbalanced statues. Therefore, when making a new statue with copper material, artisans have adjusted proportions, ensuring harmony, balance. In the number 66 copper statue, 2 pho phosphorus excluding anti-evil and good French It is harder than. First of all, when copying the antique statue from the wood material that turns to a copper casting requires the contours on the ancient fake copper statue, it still retains the same shape and the progress of the ancient wooden statue. Besides, copper casting technology used is a thin shell, a highest high-tech today. Due to the capacity of the kiln and the copper kiln does not meet the volume of the defense statue, the techniques must be cast each part, then reiterate into a statue of the sample. Partial casting requires a sophisticated implementation, so that when soldering blocks do not have the difference even though it is the smallest. Therefore, the assembly stage of statues must also be done exactly to each new Li to keep the progress and shape of the pattern statue. To create ancient imitation color for copper statues, artists must adjust the color with chemicals On the main copper material, at different positions, different oxidation levels. The color adjustment also requires artisans to have an extremely firm workmanship, because only small deviations in the dosage of chemicals used to correct the color, most likely the statue will turn to a co-color as desired . "Casting statues with this new technology are fully and clearly small. High-use copper content, not mixed with flowing compounds, thereby limiting the oxidation process, "Mr. Nguyen Ba Right added. . Dịch vụ:
Thiết kế website,
quảng cáo google,
đăng ký website bộ công thương uy tín
